Peter Forsgård

photographer

  • A New Chapter for OM SYSTEM: The OM-3 Camera

    OM SYSTEM launched its latest camera, the OM SYSTEM OM-3, today. I met with a representative from OM SYSTEM over coffee today and saw the OM-3 firsthand. I wanted to share my initial thoughts on this new release.

    OM SYSTEM Shifts Focus

    OM SYSTEM has traditionally catered to wildlife, nature, and bird photographers. However, with the OM-3, they’re broadening their horizons to include urban photographers. While maintaining their philosophy of creating small yet powerful cameras, they’re now targeting a new audience – the urban explorer.

    Many in the industry anticipated this move. OM SYSTEM’s original strategy of focusing on specific niches with tailored cameras has been a good idea, and the OM-3 represents a natural evolution of this approach.

    The OM-3: Urban Explorer’s Dream?

    The OM-3, priced at around 2000€, enters a competitive market. Its retro design will appeal to many photographers who appreciate a classic look combined with modern technology. The look and feel clearly have the Olympus and the Maitani legacy.

    We photographers are a peculiar bunch – we want cameras that look vintage but pack all the latest features!

    The OM-3 will compete with cameras like the Fuji X-T5, Nikon Zf, and Z fc. It’s entering a crowded field.

    OM SYSTEM OM-3 on the lewft and Olympus M-1 on the right.
    OM SYSTEM OM-3 on the lewft and Olympus M-1 on the right.

    Is it More Than Just a Repackaged OM-1 Mark II?

    While the OM-3 shares many components with the OM-1 Mark II, it’s not only a rebranded version. The most intriguing addition is the Creative Dial on the front, reminiscent of the Pen-F model. This feature particularly interests street photographers, allowing easy access to film-like recipes or simulations.

    Why did OM SYSTEM not simply create a Pen-F Mark II? A rangefinder-style camera could have further differentiated it from the OM-1 Mark II and tapped into the current popularity of that design. Most likely, the reason is that OM SYSTEM wants to continue the legacy of Olympus. Even though I would have preferred a range finder-style body, I understand the thinking behind this decision. As you see from the photos, it is very much like the Olympus M1 and OM-1.

    Top view. OM SYSTEM OM-3 on the lewft and Olympus M-1 on the right.
    Top view. OM SYSTEM OM-3 on the lewft and Olympus M-1 on the right.


    Urban Explorer’s Toolkit

    Without hands-on testing, it’s challenging to assess the OM-3’s suitability for urban explorers definitively. However, the Creative Dial is likely to be a hit with street photographers. Unlike Fuji, OM SYSTEM can’t use specific film names for its simulations, but the concept is similar. Interestingly, these recipes are shareable, potentially creating custom market presets.

    The OM-3 boasts a street-friendly design, weather sealing, and a metal body, making it robust enough for urban adventures. While its success remains to be seen, it certainly has potential in the urban photography market.

    As always, the photographers will ultimately decide the future of the OM SYSTEM OM-3. I’m curious to see how it performs in real-world situations and how the street photography community receives it.

    Two New lenses: 17mm F1.8 II and 25mm F1.8 II

    Both of these lenses are good upgrades to the older versions. I have said for years that these lenses need an upgrade. They both fit the new OM-3 body well. I can imagine that the M.Zuiko 25mm F1.8 II is well-suited for street photographers who like the standard lens. For those who want a wider field of view, the M.Zuiko 17mm F1.8 II is perfect.

    OM SYSTEM Om-3 with the M.Zuiko 17mm F1.8 II. The new M.Zuiko 25mm F1.8 II in the front.

    Will I test it?

    Yes, I will. I was asked if I wanted to test it over the weekend, but as I still have a cast on my leg, I cannot really give it a good test. Not really able to do any street photography. I have agreed with OM SYSTEM that I test it in March. Most likely I will make some content about it on my YouTube channel.

  • Gestalt Principle in Street Photography: Simplifying Complexity

    Street scenes are often busy and cluttered. The Gestalt principle helps us understand how to simplify and organize elements in an image to make it more pleasing and manageable for viewers. As a street photographer, I’ve found this principle invaluable in creating compelling images that capture the essence of urban life.

    Two people walking on the street

    Understanding Gestalt in Photography

    The Gestalt principle, originating from psychology in the 1920s, suggests that our brains naturally organize visual information into meaningful patterns. This translates to how we compose our images and how viewers perceive them in photography. The core idea is that “the whole is greater than the sum of its parts,” meaning that the overall impression of an image is more important than its elements.

    The Impact on Viewer Perception

    By applying Gestalt Principles, we can significantly influence how viewers interact with our images:

    Easier Comprehension: A well-organized image is easier for the brain to process, allowing viewers to grasp the main subject and mood quickly.

    Emotional Response: Thoughtful composition can evoke stronger emotional responses by emphasizing key elements.

    Longer Engagement: Interesting compositions encourage viewers to explore the image more and discover subtle details and relationships.

    Balancing Art and Science

    While Gestalt principles provide a solid foundation for composition, it’s crucial to remember that photography is an art form. These principles should be used as guidelines rather than strict rules. The most compelling street photographs often result from knowing when to apply them and when to break them creatively.

    Man running in rain

    Practical Tips for Applying Gestalt in Street Photography

    1. Observe Before Shooting: Take a moment to observe the scene and identify potential compositional elements.

    2. Look for Natural Frames: Frame your main subject using architectural elements or other objects.

    3. Wait for the Right Moment: Patience can lead to simpler, more impactful compositions as elements align.

    4. Experiment with Perspective: Changing your viewpoint can dramatically alter the relationship between elements in your frame.

    Conclusion

    Understanding and applying Gestalt principles in street photography can transform chaotic urban scenes into compelling visual narratives. By simplifying and organizing elements within our frames, we create images that capture moments and engage viewers on a deeper level. As you continue to practice these principles, they will become an intuitive part of your photographic process, helping you create more powerful and memorable street images.

    Remember, the goal isn’t to create perfectly ordered scenes but to find beauty and meaning in the complex tapestry of street life. By mastering these principles, you’ll be better equipped to tell visual stories that resonate with viewers and stand the test of time.

    More information and photographs are provided in the video below.

  • 5 Ways to Develop a Healthier Approach to Photography Gear

    5 Ways to Develop a Healthier Approach to Photography Gear

    As photographers, it’s easy to get caught up in the excitement of new gear. But focusing too much on equipment can hold us back.

    Here are five tips for developing a healthier relationship with your photography gear:

    Learn Photography Basics First

    Before worrying about fancy cameras and lenses, master the fundamentals. Understanding composition, lighting, and exposure is far more critical than having the latest gear. These skills will serve you well no matter what equipment you use. Spend time practicing and experimenting with the camera you already own.

    Use the Gear You Have

    You don’t need pro-level equipment to take great photos. Many photographers create stunning images with entry-level cameras and kit lenses. Instead of obsessing over gear you don’t have, push yourself to get the most out of what’s already in your bag. Challenge yourself to shoot in different conditions and genres with your current setup.

    Only Upgrade When You Know Exactly What You Need

    Avoid impulse purchases. Before buying new gear, identify specific problems it will solve or add capabilities. For example, upgrading to a faster lens for low-light shooting or a longer telephoto for wildlife photography. Make sure any new equipment aligns with your photographic goals and style.

    Don’t Worry About Having “Pro” Gear

    Professional-grade gear is nice but not necessary for most photographers. Entry-level and mid-range cameras are more than capable of producing high-quality images. Focus on developing your skills and vision rather than chasing the most expensive equipment. Remember, the photographer, not the camera, creates excellent photographs.

    Focus on Taking Photos, Not Talking About Cameras

    Photography is about creating images, not collecting gear. Spend more time shooting and less researching or discussing equipment online. The best way to improve is through practice and experimentation.

    Get out there and take photos!

    By following these tips, you’ll develop a healthier relationship with your gear and become a better photographer.

    Remember, the most essential equipment is the one between your ears – your creative vision.

    My video about why I think gear-talk is toxic.